Sivasagar Sivadol

Built by queen Ambika under Siva Singha. Among the tallest Shiva temples in India, beside Vishnudol and Devidol on the bank of the Sivasagar tank.

The Sivadol at is the great temple of the golden age. It is a towering Siva shrine, raised on the bank of the vast Borpukhuri tank in the Ahom capital. Its tower stands about 104 feet high, some thirty-two metres, and is often said to be among the tallest Siva temples in India. The soaring curvilinear form and golden finial dominate the skyline of Sivasagar to this day. The Ahom monarchy built many religious monuments as it embraced the Hinduism of the plains. Of all of them, the Sivadol is the most magnificent. It is the single building in which the wealth, the piety and the architectural confidence of the eighteenth-century court are gathered into one form.

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A queen’s temple

The Sivadol was built in 1734, in the reign of Swargadeo Siva Singha. The work is credited to the patronage of his powerful chief queen, the Bar Raja Ambika. She raised it as the crowning shrine on the bank of the Borpukhuri, the great tank the court had excavated a little before. That reservoir was itself the queen’s work. The temple marks a hinge in the kingdom’s history. The Ahoms had come down from the hills in the thirteenth century with their own Tai gods and ancestor rites. By Siva Singha’s reign the dynasty had become a Hindu monarchy in earnest. It took initiation from Brahmin preceptors, endowed temples and Brahmin grants on a lavish scale, and made the and Saiva worship of the plains the religion of the state. The Sivadol is that turn rendered permanent in brick and stone. Beside the capital’s great sheet of water, the court built a temple meant to outlast the dynasty.

On the same tank bank the Sivadol, to Shiva, is flanked by the Vishnudol, to Vishnu, and the Devidol, to the goddess. The three principal devotions the court had embraced stand side by side above the water. Temples and tank together render the Borpukhuri area one of the defining engineered landscapes of Ahom Assam, a single planned composition of water, masonry and worship. The companion shrines keep their own festival lives beside the Sivadol’s Sivaratri. Dol Jatra and Rath Jatra are kept at the Vishnudol. Durga Puja is kept at the Devidol.

Wide view across the Sivasagar tank to the three brick temple spires of the Sivadol group on the far bank, mirrored in the still water under a moody clouded skyWide view across the Sivasagar tank to the three brick temple spires of the Sivadol group on the far bank, mirrored in the still water under a moody clouded sky
Plate 1.The three temples on the tank. The three temples beside the Sivasagar tank, the tall Sivadol flanked by the Vishnudol and Devidol, mirrored in the water.Photograph: KDutta1982 · CC BY-SA · Wikimedia Commons

The tower and the masons’ craft

The temple rises as a tall, curvilinear dol, the regional temple form. Its tower sweeps up over a square sanctum to about 104 feet. Above a tiered crest some eight feet high sits a gold-plated kalashi finial. Before the tower, the antechamber roofs are shaped in the Assamese do-chala form, like a thatched hut set against the soaring brick sikhara. It is built of the thin, well-fired Ahom brick used across the capital, dressed in places with stone, and carried up in the mature Ahom temple style. That craft married the pan-Indian temple idiom to local form and to the indigenous organic mortar of the kingdom’s masons, the same craft that raised the and the palaces nearby. That a brick tower of such height has stood for nearly three centuries on a floodplain in an earthquake country is itself a measure of the builders’ skill.

Close view of the red-ochre upper spire of the Sivadol at Sivasagar, crowned by a polished golden finial with stacked disc tiers and smaller corner finials against a pale skyClose view of the red-ochre upper spire of the Sivadol at Sivasagar, crowned by a polished golden finial with stacked disc tiers and smaller corner finials against a pale sky
Plate 2.The gilded finial. The eight-foot gilded finial crowning the Sivadol at Sivasagar, the tallest of the three Ahom temples on the Borpukhuri tank.Photograph: Manuj98 · CC BY-SA · Wikimedia Commons

The walls of the dol and of its companion shrines are richly worked. Carved panels and friezes carry deities, floral and geometric ornament, and figures drawn from the epics. The Durga cycle is especially full. Reliefs show the goddess in forms from two-armed to sixteen-armed, including Mahishasura-mardini, the slayer of the buffalo demon. The doorway of the sanctum is framed in dressed stone. Inside, the great linga of Shiva is set below the floor of the chamber rather than above it, in the manner of the regional shrines, so the worshipper descends to the god. The three towers along the embankment, the broad flight of steps down to the water, and the open sky of the tank beyond were conceived as one sacred prospect. It remains among the most complete temple landscapes in Assam.

Carved stone relief in a cusped wall niche on the dark stone temple wall, showing a many-armed goddess astride and slaying a figure below, flanked by carved colonnettes above a decorated frieze bandCarved stone relief in a cusped wall niche on the dark stone temple wall, showing a many-armed goddess astride and slaying a figure below, flanked by carved colonnettes above a decorated frieze band
Plate 3.Durga in relief. A wall relief of Durga slaying the demon Mahishasura on the Sivadol at Sivasagar, set in a cusped niche above the carved frieze.Photograph: Supratim Deka (Nupu at the English-language Wikipedia) · CC BY-SA · Wikimedia Commons

Visiting

The Sivadol stands in the heart of town in upper Assam, on the bank of the Borpukhuri tank. It is the natural first stop in any circuit of the Ahom capital. It is easily combined with the , the and the a short way off. Unlike the neighbouring palaces and the Rang Ghar, which survive as conserved monuments, the Sivadol has never gone out of use. It is a living temple in continuous daily worship, still the spiritual centre of the town. It is open to visitors with the usual observances of a place of worship. The cooler, drier months from November to March are the most comfortable for the whole Sivasagar circuit. Sivaratri in late winter is the most spectacular, and the most crowded, time to see it, when pilgrims throng the shrine and the tank through the night.

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